Now that we are aware of anthropogenic climate change, our view of the natural landscape has changed.  In her vast landscapes, Sarah Watson reflects on the paradox between nature as limitless and wild and a rhythmic, structured, man-made exterior space.

 

Recent ceramic works bring small physical samples of the landscape into the domestic interior: they are relics of our relationship with a warming world. 

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The hard-edged vocabulary is drawn from early modernism and her technical skills and training as an architect, while the sculptures also refer to the industrial design of objects found in our homes.